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If Kindred: The Embraced is the Storyteller universe transferred to television, Underworld is the Storyteller universe transferred to the big screen with the serial numbers filed off. Vampires and werewolves at war with a extra helping of melodrama, all taking place under the veneer of the modern world. Unfortunately, taking that universe to the silver screen didn’t work out much better than the small screen. This movie was portrayed as an action-adventure with “romance” as the plot motivator.

Book of Night with Moon is a cat book for those who grew up with Diane Duane’s So you want to be a wizard series. It is somewhat dependent on the earlier works, even though it is not explicitly a part of the same series (and the plot itself stands alone). Those with cats as pets will delight in the detailed and surprisingly well rendered view into the mind of a cat, where playfulness and feline politics vie with the weighty concerns of world-saving.

The Shadow Rising is the fourth book in Robert Jordan’s Wheel of Time series. The Stone of Tear has fallen, and the Sword That Cannot Be Touched has been drawn in accordance with prophecy, confirming Rand as the Dragon Reborn. But there is much yet to do before he must face the Dark One at Tarmon Gai’don. Goaded by Moiraine, who seeks to guide his path towards Sammael in Illian, Rand remains determined to choose his own path, and to move in a direction that no one expects.

Something from the Nightside is another piece of formulaic fantasy from Simon Green, who seems quite capable of writing formulaic fantasy or science fiction with his eyes closed and quite possibly while unconscious. His books are characterized by unique people with unique items wielding unique powers, to the point where the sheer uniqueness of everything (complete with capitalization) becomes tiresome and repetitive. This book is a fairly normal application of his formula.

Imagine a world in which Europe does not exist; the Vikings (Eyrans) trade directly with the Muslims (Istrians) at the fabled Allfair, and the Footloose, nomadic gypsy peddlers familiar from a myriad of traditions, converge to swindle them both with false magic, tall tales, and petty thievery. To the Allfair come the cast of characters, seeking adventure, excitement, a beautiful southern wife… and, of course, a handsome profit. But such is not to be found this year.

Lord of Chaos, the 6th book in Robert Jordan’s Wheel of Time, marks a turning point for the series. It is the last book that can be effectively defended as lacking major flaws. In some ways it is almost a victim of its own bloat… almost, but not quite, for the high points of the story are very, very high. We are witness to Rand’s struggle to control the nations he has conquered; between Tear, Cairhien, and the Shaido, his political plate is more than full.

I read this in a 2003 reissue; it was originally published in 1977. Despite this, it’s an engaging piece of hard science fiction that passes the test of time extremely well. The author was even lucky enough to guess at a Russian collapse, leaving the Chinese as the primary world power (other than the United States, of course). There are only a few references that date the book to its original publication, and none of those are jarring.

“The Paladin” is the tale of an aging swordmaster, living in reclusion, trying to deal with a prospective student who wants him to return to the world and deal with the Evil Usurper. The plot is hardly original, although there are a few interesting twists. Even so, the story is well told and thoroughly enjoyable. It’s worth noting that it dates from a time when fantasy novels could be simple, straightforward, and well-written; that was enough.

Ghost in the Shell is an anime that has already attained classic status. It merges the potential for beautiful visualization with a powerful storyline exploring philosophical questions. The resulting mix is a very impressive experience, and undoubtedly one of the best examples of the anime art form. The original dialog is, of course, in Japanese. The translation has some awkardness and occasionally renders the details of the plot hard to follow, but not in a manner that detracts from the really interesting element: exploring the idea of the soul in a world where humans are gradually replacing more and more of their bodies with machines, and even brains can be hacked and reprogrammed.

This is a reread, primarily because the sequel, The Bourne Supremacy has been given the movie treatment. I liked the movie adaptation of The Bourne Identity which did a remarkably good job without simplifying the story too much. I do confess to being a little bit concerned about the sequel, since the movie version removed what could be described as the central tension in the book and didn’t exactly leave any of the loose ends that Ludlum used in his sequels.