Matthew Hunter

Paran is a soldier in the army of the Malazan Empire, chosen by events to play a part in a growing crisis of divinity. He is placed in command of the Bridgeburners, an infamous unit of skirmishers, in their siege of a foreign city. That siege, and Paran’s efforts to consummate it by taking the city, is the focus of the novel. Yet that siege is also little more than a delaying action: a single battle in the prelude to the coming storm, a storm in the form of an army of religious fanatics on the march towards the Empire like a plague of locusts… destroying everything in their path.

Ghost in the Shell is an anime that has already attained classic status. It merges the potential for beautiful visualization with a powerful storyline exploring philosophical questions. The resulting mix is a very impressive experience, and undoubtedly one of the best examples of the anime art form. The original dialog is, of course, in Japanese. The translation has some awkardness and occasionally renders the details of the plot hard to follow, but not in a manner that detracts from the really interesting element: exploring the idea of the soul in a world where humans are gradually replacing more and more of their bodies with machines, and even brains can be hacked and reprogrammed.

Good Intentions is somewhere between male adolescent wish-fulfillment, soft-core erotica, paranormal romance, and urban fantasy. The plot revolves around a pretty ordinary guy, still living in his mom’s basement, who decides to sneak into the local graveyard to get a few atmospheric pictures. He’s hoping to use the pictures to impress a pair of cute goth chicks in his photography course, lacking the gumption to simply approach them without a prop.

In his second novel of the Tales of the Otori, Lian Hearn takes the story that could have ended after Across the Nightingale Floor and begins to explore the ramifications of the character’s choices. Lady Kaede, now free of the immediate prospect of marriage thanks to the death of Otori Shigeru, begins to grasp the reins of power for herself. Lord Otori Takeo, meanwhile, must fulfill his promise to the Tribe by entering their way of life and giving up his Otori inheritance.

Gravity, with Sandra Bullock in the lead role and George Clooney supporting, is an excellent movie for fans of science fiction, but as SF author Rosemary Kirstein points out (and beware spoilers behind that link), it is more science fact than science fiction. Though the events are fictional, the technology underpinning them is not. We have multiple space stations in orbit. We have people who work in space on a regular basis, if not continually.

Lackey states in the afterword that she based her Arthurian tale on Welsh legends of not one, but three, queens named Gwenhwyfar. This theory does tend to clear up some of the conflicting tales of Arthur’s queen. In her novel, Lackey focuses on the third queen. This is a pleasant read. Which seems to be the norm for Lackey’s novels lately. There is none of the emotional depth of her early novels.

Hammerfall is set in a desert world where the low-tech populace is completely ignorant of their interstellar origins and of the conflict between (alien?) races that is about to engulf them. The book largely consists of the intricacies of desert travel in a world where the nanotech-enforced scavengers have gotten a little out of control. Several of the primary characters are ‘mad’, they receive visions that direct them to a certain place and warn of an incomprehensible impending disaster.

Set in a richly realized world roughly analogous to the 1930s, Hard Magic diverges from known history with the discovery of many forms of magic accessible to relatively ordinary humans. The main character is known as a “Heavy”, someone with the capability to alter gravity and mass. Heavies are stereotyped as slow and stupid, if physically capable – but despite the book’s opening scenes in a prison for the supernaturally inclined, it rapidly becomes obvious that appearance isn’t everything and we’re dealing with a very smart cookie indeed.

Hellsing is a fairly unique take on the vampire mythos in anime. The art is done in an unusual style, more abstract than I would normally prefer, and somewhat repetitive. The characters are intriguing if occasionally hackneyed. Although it’s hard to pack much plot into individual episodes, due to time constraints and the need for cool visuals, there is a metaplot that develops throughout the episodes that looks to be going somewhere interesting.

I would not classify this as an adaptation of “I, Robot” for Asimov purists. Rather, it’s an action-adventure set in Asimov’s universe that happens to draw upon some of the characters from the stories. But as a stand-alone story, it’s remarkably well done, better than most of what Hollywood produces by leaps and bounds. If the success of Lord of the Rings inspired this movie to cash in on the perceived new market, it worked and it worked well.