Matthew Hunter

Yesterday, I went to see Fearless, Jet Li’s recent martial arts epic. It was pretty good, but also pretty much exactly what I expected. While there, I saw that the theater had allocated one of its screens to a flick called The Illusionist, a movie I had never heard of or seen previews or promos for. Based on the little title strip with showtimes, it looked interesting, and a few minutes wirelessly checking the reviews on Rotten Tomatos suggested it wasn’t awful.

I read this in a 2003 reissue; it was originally published in 1977. Despite this, it’s an engaging piece of hard science fiction that passes the test of time extremely well. The author was even lucky enough to guess at a Russian collapse, leaving the Chinese as the primary world power (other than the United States, of course). There are only a few references that date the book to its original publication, and none of those are jarring.

The King’s Peace is Jo Walton’s take on the Arthurian legends. Jo has never been a particularly good author for me, and this book is no exception. It is the first in a series, and I didn’t bother to pick up the rest. It’s also telling that this book, purportedly about King Arthur, puts a young woman on the cover and as the main character – the feminist impulse to re-imagine one of history’s most emphatically male tales in that manner loses most of its impact when it becomes clear that this retelling adds little to the genre of the Arthurian legends and lacks even the distinction of being the first or best feminist retelling.

What started off as an interesting story buttressed by a creative take on the feudal system quickly fell victim to unncessary complications and simply authorial incompetence. The reader is asked to empathize with cardboard cutouts while the villians go through the motions of presenting a threat. The simple purity of rune magic could have offered a way to explore the complex moral questions of the feudal system, but instead fell to irrelevance in the face of more traditional magical systems.

So I went to see the first movie in the Narnia sequence last week. I was hopeful; the trailers presented an image of a movie in the tradition of Jackson’s Middle Earth, based around a classic fantasy series from the same period and sticking faithfully to the work of the original author. It should have worked out well, with the ground already broken, assuming the people involved were competent; instead, the result was disappointing.

Guy Gavariel Kay continues his magic-realism kick with The Lions of Al-Rassan, a thinly-veiled tale of Spain under Muslim rule. The fantastical elements so prominent in many of his earlier works are missing almost entirely from this one, with their only remnant vaguely psychic visions suffered by a character subject to fits and seizures. The story itself is still a masterfully-told romance with a strong female presence, perhaps too strong for the culture.

The second novel in the Tales of the Continuing Time series, The Long Run is a masterpiece of the science fiction genre that is difficult to summarize in a few paragraphs. Moran has done some brilliant technological and political speculation set in the late 21st Century. His characters are very real and alive, and the writing is rich and fast-paced. TLR has the most cohesive plot of the three books in the series so far, and if you’re a new reader, I actually recommend starting with it rather than Emerald Eyes.

The Magician’s Guild by Trudi Canavan is a fantasy novel built around a very common premise, but presented with uncommon skill. Consider a world wherein the practice of magic is dominated by a guild that restricts training for magery to those citizens of the upper classes, allowing effortless oppression of the lower classes. Inevitably, someone from a less distinguished social class discovers a talent for magic, and finds her life irreversibly changed.

“The Paladin” is the tale of an aging swordmaster, living in reclusion, trying to deal with a prospective student who wants him to return to the world and deal with the Evil Usurper. The plot is hardly original, although there are a few interesting twists. Even so, the story is well told and thoroughly enjoyable. It’s worth noting that it dates from a time when fantasy novels could be simple, straightforward, and well-written; that was enough.

The Postman has a rugged post-apocalyptic setting based on a post-nuclear-war USA that almost - but not quite - survived total collapse. Gordon, a loner who trades old tales of prewar culture in bardic style for his meals, meanders about from village to village, looking for someone who is trying to build something more than a subsistence society. Falling into misfortune, Gordon uses the uniform of a long-dead postal worker to weave an elaborate lie that will enable him to survive.