Matthew Hunter

This 1990’s cyberpunk story is a victim of time and history. When originally published, nobody really knew what the internet would look like, and people could make up whatever they wanted about humans merging with machines and it would seem at least plausible. Twenty-three years later, people are pretty sure what the Internet looks like and it’s not what you find in Synners. That doesn’t make it any less interesting to consider the implications of merging the human mind with computer-augmented virtual reality.

Take a Thief is a standalone novel that functions as a biography for Skif, one of the supporting characters in Lackey’s Heralds of Valdemar series. It’s a return to a previous time in the Valdemar universe, filling out events and characters previously only hinted at. Both the characters and the events benefit from a fresh look by a writer whose skill has grown substantially since the Arrows of the Queen trilogy, and fans of the series will enjoy a look at Valdemar’s criminal underclass – something which the majority of Lackey’s books mention only in passing.

Have you ever wanted to strap yourself into a starship and light off the thrusters just to see where you would end up? Fight space pirates with your black belt in Karate while climbing the ranks aboard a merchant starship? How about just being an improbably nice fellow with the plot thoroughly on your side? Then this book will satisfy you. Just keep your suspension of disbelief handy, because you’ll need it.

Like the movie Highlander 2, fans consider Tehanu to be a novel that doesn’t exist. The original EarthSea trilogy (A Wizard of EarthSea, The Tombs of Atuan, and The Farthest Shore) represented a glorious and powerful work of fantasy literature, with depth of character and emotion, powerful themes, and a joy in the simple things that are the greatest mysteries. Tehanu is a novel written explicitly to destroy everything that was good about that trilogy.

Dave Duncan is an author I am familiar with from mainly from his King’s Blades series, a straightforward and competently written set of mostly-independent tales of supernaturally bound bodyguards. The Alchemist’s Apprentice takes a step closer to the real world, being set in a version of Venice where magic is somewhat more effective than in ours. The alchemist of the title is Nostrademeus, and the apprentice one Alfeo Zeno, the latter being a character more reminiscent of a Dumas musketeer than anything else.

Book of Night with Moon is a cat book for those who grew up with Diane Duane’s So you want to be a wizard series. It is somewhat dependent on the earlier works, even though it is not explicitly a part of the same series (and the plot itself stands alone). Those with cats as pets will delight in the detailed and surprisingly well rendered view into the mind of a cat, where playfulness and feline politics vie with the weighty concerns of world-saving.

This is a reread, primarily because the sequel, The Bourne Supremacy has been given the movie treatment. I liked the movie adaptation of The Bourne Identity which did a remarkably good job without simplifying the story too much. I do confess to being a little bit concerned about the sequel, since the movie version removed what could be described as the central tension in the book and didn’t exactly leave any of the loose ends that Ludlum used in his sequels.

Continuing my reread of Ludlum’s Jason Bourne series, I went through The Bourne Supremacy over the course of a weekend. This novel steps away from the question of identity, and instead puts Bourne in the midst of a complex maze of interwoven plots. An imposter has taken the name and reputation of “Jason Bourne”, deadly assassin for hire, and revived it for his own purposes. The assassin who was created to trap Carlos must now return to the land of his birth to trap himself.

The Bourne Ultimatum is the third book in Ludlum’s Jason Bourne series. It’s five years after the events in Hong Kong, and 13 years after Paris. Bourne has aged (he’s now 50) and settled into life with his wife and children. But when Carlos the Jackal uncovers his real identity, the final confrontation is upon them both. Neither one of the pair are operating at their best. Bourne struggles to retain his deadly persona, while the onset of age has driven the Jackal into obsession.

I’ve been a mild fan of Jack McDevitt’s books for a while. He does soft science fiction with a decent sense of wonder pretty well, though there’s usually a mild sour note here and there that keeps his books from being an entirely positive experience. The Cassandra Project fit that description for most of the book, which is essentially a “What if” take on the fake moon landings theory. But when I read the epilogue, I wanted to throw the book across the room.