Reviews

In his second novel of the Tales of the Otori, Lian Hearn takes the story that could have ended after Across the Nightingale Floor and begins to explore the ramifications of the character’s choices. Lady Kaede, now free of the immediate prospect of marriage thanks to the death of Otori Shigeru, begins to grasp the reins of power for herself. Lord Otori Takeo, meanwhile, must fulfill his promise to the Tribe by entering their way of life and giving up his Otori inheritance.

Gravity, with Sandra Bullock in the lead role and George Clooney supporting, is an excellent movie for fans of science fiction, but as SF author Rosemary Kirstein points out (and beware spoilers behind that link), it is more science fact than science fiction. Though the events are fictional, the technology underpinning them is not. We have multiple space stations in orbit. We have people who work in space on a regular basis, if not continually.

Lackey states in the afterword that she based her Arthurian tale on Welsh legends of not one, but three, queens named Gwenhwyfar. This theory does tend to clear up some of the conflicting tales of Arthur’s queen. In her novel, Lackey focuses on the third queen. This is a pleasant read. Which seems to be the norm for Lackey’s novels lately. There is none of the emotional depth of her early novels.

Hammerfall is set in a desert world where the low-tech populace is completely ignorant of their interstellar origins and of the conflict between (alien?) races that is about to engulf them. The book largely consists of the intricacies of desert travel in a world where the nanotech-enforced scavengers have gotten a little out of control. Several of the primary characters are ‘mad’, they receive visions that direct them to a certain place and warn of an incomprehensible impending disaster.

Set in a richly realized world roughly analogous to the 1930s, Hard Magic diverges from known history with the discovery of many forms of magic accessible to relatively ordinary humans. The main character is known as a “Heavy”, someone with the capability to alter gravity and mass. Heavies are stereotyped as slow and stupid, if physically capable – but despite the book’s opening scenes in a prison for the supernaturally inclined, it rapidly becomes obvious that appearance isn’t everything and we’re dealing with a very smart cookie indeed.

Hellsing is a fairly unique take on the vampire mythos in anime. The art is done in an unusual style, more abstract than I would normally prefer, and somewhat repetitive. The characters are intriguing if occasionally hackneyed. Although it’s hard to pack much plot into individual episodes, due to time constraints and the need for cool visuals, there is a metaplot that develops throughout the episodes that looks to be going somewhere interesting.

I would not classify this as an adaptation of “I, Robot” for Asimov purists. Rather, it’s an action-adventure set in Asimov’s universe that happens to draw upon some of the characters from the stories. But as a stand-alone story, it’s remarkably well done, better than most of what Hollywood produces by leaps and bounds. If the success of Lord of the Rings inspired this movie to cash in on the perceived new market, it worked and it worked well.

Innocence is a sequel to the popular anime Ghost in the Shell. And it’s a sequel that gives the lie to sequelitis: Innocence may even surpass it’s predecessor. Fans of Ghost in the Shell will recognize Batou, who returns in the sequel as the solemn, philosophical cyborg cop. Since the disappearance of the Major, his partner, he has withdrawn further and further into himself. He’s assigned a new partner and put on a case involving robots that are killing their human owners and committing suicide.

The one-line review is that Interstellar is the movie that 2001 should have been. It has a mysterious anomaly orbiting Saturn, a realistic depiction of a space mission to investigate and explore. But it also has so much more: incredible, moving performances from the leading actors and actresses, an emotional investment on both the personal and the species level, strange and wonderful and terrible things to find, and a powerful human drama that plays out across that background.

Having crossed the Sea of Aboqua, Etjole Ehomba and his companions must find passage west across the Semordria Ocean somewhere in the Thinking Kingdoms. Though these kingdoms are supposed to be (and in some ways are) bastions of civilization, they harbor their own unique man-made hazards. Surmounting obstacle after obstacle, the story remains fresh only in the strangeness of the situations; Etjole’s seeming invulnerability lends a faery tale quality to the writing that some might term ‘shallow’.