Reviews

She was a coolhunter with forty different legal identities. Her job: to drive fads; to find the “next cool thing” five to ten times per week. She was one of the best. Entire corporations rose and fell under her influence. But then some really uncool things started to happen… From the description, this sounds like an adaptation of the idea first pioneered by Connie Willis in Bellwether. Although I haven’t read this adaptation, I have read other works by this author, and most of Connie Willis’ work; between the two, Connie Willis is the better author, but even in good hands it makes for little more than an interesting intellectual exercise.

For 9 years, a group of five children have played what they call the Secret: a hidden world of make-believe, whose universe they have created for themselves, filled with dragons and unicorns and kings and dire plots and sorcerers both kind and cruel. All goes well as they wile out their summer hours inventing and improvising and practicing their lines, until one summer the children, now teenagers, are split up. It should be the end of the Secret, at least for that summer, and so it seems to be… until one of the children stumbles upon a magic sword lying within a hedge, and crawls through to discover herself in another world.

Anita Blake is back, and this time she’s asked to sort out a murderous zombie while convincing Jean-Claude, the vampire Master of the City, that dinner and a movie really aren’t in her schedule, especially not when the undead are asking. And as if that wasn’t enough, one of her clients wants her to raise a someone from the dead… someone long enough in the grave to require a human sacrifice.

The Eye of the World is the first novel in Robert Jordan’s epic series Wheel of Time. The series, which began in 1985 and presently spans more than 10 books, has been wildly popular ever since. The author has described the first part of The Eye of the World as a homage to Tolkien’s epic trilogy. Whether the series is worthy of that comparison remains to be seen, but there are certainly many elements that the initial part of both series have in common.

I’m re-reading Katherine Kerr’s A Time of Exile for a somewhat unusual reason. I’ve read the whole series before once or twice, at least up to the most recently published book, but on my last reread someone else had my copy of this book. Since I had read it before, I skipped it and picked up with A Time of Omens. When my copy of Exile returned, I figured I might as well reread it, even though I had finished the original reread quite some time before.

The Wreck of the River of Stars, despite winning the Heinlein award, is a book well suited to it’s title. It bears the unfortunate stigma of a tragedy with little impact, a disaster with little meaning. It lacks impact. If one is to consider the obvious parallels, it is a failure of Titanic proportions. There are many reasons for this. The writing is extremely awkward at times; unfocused and peppered with authorial asides and pointless digressions.

A Clash of Kings is the second book in George RR Martin’s A Song of Ice and Fire series. The Seven Kingdoms are beset by four Kings, all seeking to rule. The Starks, wolf-lords of the North, are scattered: Arya and Sansa hostage, Robb at war, Bran and Rickon learning to govern Winterfell. The Lannister host led by Lord Tywin opposes Robb Stark, and Tyrion is set to govern King’s Landing – if he can survive Joffrey’s whims and Cersei’s cunning.

The novel opens with Anita being called upon to rescue Nathaniel, her house leopard, from a local S&M club. After months of enforced separation from Jean-Claude and Richard, months spent learning to control her powers, Anita is suddenly thrust back into the world of the monsters and forced to contend with her enemies once more. And with her allies, as well, for not everything has been peachy with her boys while she was gone.

This is the follow-up to Smoke and Shadows, and while much of the prior criticism remains the same, there are some good points this time around. The plot is something one would expect to see in a really bad horror movie: while filming an episode of the vampire detective show in a haunted mansion, the crew gets trapped inside by some evil power, and must survive until sunrise. Another formula plot, though the author pulls it off as well as can be expected.

Take a Thief is a standalone novel that functions as a biography for Skif, one of the supporting characters in Lackey’s Heralds of Valdemar series. It’s a return to a previous time in the Valdemar universe, filling out events and characters previously only hinted at. Both the characters and the events benefit from a fresh look by a writer whose skill has grown substantially since the Arrows of the Queen trilogy, and fans of the series will enjoy a look at Valdemar’s criminal underclass – something which the majority of Lackey’s books mention only in passing.