Reviews

What started off as an interesting story buttressed by a creative take on the feudal system quickly fell victim to unncessary complications and simply authorial incompetence. The reader is asked to empathize with cardboard cutouts while the villians go through the motions of presenting a threat. The simple purity of rune magic could have offered a way to explore the complex moral questions of the feudal system, but instead fell to irrelevance in the face of more traditional magical systems.

So I went to see the first movie in the Narnia sequence last week. I was hopeful; the trailers presented an image of a movie in the tradition of Jackson’s Middle Earth, based around a classic fantasy series from the same period and sticking faithfully to the work of the original author. It should have worked out well, with the ground already broken, assuming the people involved were competent; instead, the result was disappointing.

Guy Gavariel Kay continues his magic-realism kick with The Lions of Al-Rassan, a thinly-veiled tale of Spain under Muslim rule. The fantastical elements so prominent in many of his earlier works are missing almost entirely from this one, with their only remnant vaguely psychic visions suffered by a character subject to fits and seizures. The story itself is still a masterfully-told romance with a strong female presence, perhaps too strong for the culture.

The second novel in the Tales of the Continuing Time series, The Long Run is a masterpiece of the science fiction genre that is difficult to summarize in a few paragraphs. Moran has done some brilliant technological and political speculation set in the late 21st Century. His characters are very real and alive, and the writing is rich and fast-paced. TLR has the most cohesive plot of the three books in the series so far, and if you’re a new reader, I actually recommend starting with it rather than Emerald Eyes.

The Magician’s Guild by Trudi Canavan is a fantasy novel built around a very common premise, but presented with uncommon skill. Consider a world wherein the practice of magic is dominated by a guild that restricts training for magery to those citizens of the upper classes, allowing effortless oppression of the lower classes. Inevitably, someone from a less distinguished social class discovers a talent for magic, and finds her life irreversibly changed.

“The Paladin” is the tale of an aging swordmaster, living in reclusion, trying to deal with a prospective student who wants him to return to the world and deal with the Evil Usurper. The plot is hardly original, although there are a few interesting twists. Even so, the story is well told and thoroughly enjoyable. It’s worth noting that it dates from a time when fantasy novels could be simple, straightforward, and well-written; that was enough.

The Postman has a rugged post-apocalyptic setting based on a post-nuclear-war USA that almost - but not quite - survived total collapse. Gordon, a loner who trades old tales of prewar culture in bardic style for his meals, meanders about from village to village, looking for someone who is trying to build something more than a subsistence society. Falling into misfortune, Gordon uses the uniform of a long-dead postal worker to weave an elaborate lie that will enable him to survive.

I picked this up hoping for a mildly interesting tale of intrigue, and what I got was the renaissance through the eyes of a feminist who really, really wishes she could grow up to be a swordswoman. The Privilege of the Sword is not a bad book exactly; it’s an unrealistic premise handled reasonably well with a light dose of intrigue and humor on top. Interesting, particularly for the attention to detail given to the fencing, but not very meaningful.

In The Chronicles of Covenant the Unbeliever Donaldson wove a compelling tale of a fantasy world threatened by a malevolent being known as Lord Foul, and capable of defending itself ultimately through the intervention of one man – a man outcast from human society, a man whose survival demands that he abandon hope and forsake love, a man who does not even believe that the Land is real. In The Second Chronicles of Covenant the Unbeliever, he returned to the Land when it is threatened once more.

For 9 years, a group of five children have played what they call the Secret: a hidden world of make-believe, whose universe they have created for themselves, filled with dragons and unicorns and kings and dire plots and sorcerers both kind and cruel. All goes well as they wile out their summer hours inventing and improvising and practicing their lines, until one summer the children, now teenagers, are split up. It should be the end of the Secret, at least for that summer, and so it seems to be… until one of the children stumbles upon a magic sword lying within a hedge, and crawls through to discover herself in another world.